**** Com 242 + 485 Hokusai: Inspiration and Influence I UNI QLO 301 20 Last chance to catch the wave wCloses 7/16 Get your tickets now Closes 7/16 Get your tickets now Closes 7/16G MF/Boston ** Sponsored by UNIQLO USA Generously supported by the MFA Associates/MFA Senior Associates Plan your visit at mfa.org Join us at @mfaboston Left Katsushika Hokusal Under the Wave off Kanagawa (Kanagawa-okinami-un also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanrokke) (detail) Japanese Edo period about 1830-31(Terpo1-2) Woodblock print (shik ink and color on paper William Sturgis Bigelow Collection Right John Cederquist How to Wrap Five Waves (detail), 1994-95 Baltic birch plywood, poplar maple, Sitka spruce, pine epoxy, resininayo based thography inka metal hardware. The Daphine Farago Collection Reproduced with permission **** Com 242 + 485 Hokusai : Inspiration and Influence I UNI QLO 301 20 Last chance to catch the wave wCloses 7/16 Get your tickets now Closes 7/16 Get your tickets now Closes 7 / 16G MF / Boston ** Sponsored by UNIQLO USA Generously supported by the MFA Associates / MFA Senior Associates Plan your visit at mfa.org Join us at @mfaboston Left Katsushika Hokusal Under the Wave off Kanagawa ( Kanagawa - okinami - un also known as the Great Wave , from the series Thirty - six Views of Mount Fuji ( Fugaku sanrokke ) ( detail ) Japanese Edo period about 1830-31 ( Terpo1-2 ) Woodblock print ( shik ink and color on paper William Sturgis Bigelow Collection Right John Cederquist How to Wrap Five Waves ( detail ) , 1994-95 Baltic birch plywood , poplar maple , Sitka spruce , pine epoxy , resininayo based thography inka metal hardware . The Daphine Farago Collection Reproduced with permission